My Steampunk Tarot Cards are ready to go ...

Since my cards are on their way to the organizer of the Steampunk Tarot project, I think it's safe to reveal them. I worked simultaneously on both the Page of Gears (gears replacing pentacles/coins in this deck) and the Seven of Daggers. Whenever I got stuck on some design quibble for one (or the paint needed to dry), I shifted over to the other card to keep things moving. Just as I finished my cards, the organizer asked me if I'd like to take on another one to cover for someone who had to drop out, so I took on Strength as well.

I enjoy the process of creating these cards. I like to do a fair bit of research before I start because many of the participants actually use them for readings, so it's important to get the perfect blend of maintaining some connection with Tarot decks past, while keeping in touch with the theme of the deck. The first thing I did is find as many different visual references as possible from previous decks and look for A) things I have half a chance of being able to draw and B) things that can be tweaked to fit the current Steampunk theme. Part of the project included writing the text for the card, so a lot of reading on past Tarot decks is useful too ~ again because people will be using our cards for more than artistic appreciation.

My cards are a blend of: A) images I CAN draw, B) textures I can create, C) printed papers, D) clipart and E) stamped images. For instance the backgrounds on all three cards were created using background photos or printed paper .... on the Strength card the city seen through the porthole is a photo of old Budapest ... for the Seven of Daggers I printed the text and clipart lanterns straight onto an old map ... on the Page of Gears the background is a skymap of the Milky Way.

One of the fun 'hidden' things on each card for me is some paper I made when I was playing with layered paint. I'm a big chicken when it comes to layering paint. I almost always hate what I make ~ and this time was no exception. I painted a couple of sheets of cardstock with gesso and then layered on black paint, red paint, more gesso, more paint, splodging with sponges ... uh oh ... seriously ugly paper and I chucked it aside ... till I started this project. While scrounging around my piles of papers for something I realized my Ugly Paper had Great Texture, it was just the Wrong Colour. I took out my Caran D'Ache crayons and had a go at it ... and hey ... this has potential.

On the Strength card, the texture became the perfect 'hammered' metal for the wall and floor of the dirigible she's riding in. On the Seven of Daggers, I divided the walkway into bricks and accented the brick edges ... et voila ... a stone floor. For the Page of Gears, I redrew the Page (remember my drawing from my last post?) onto the textured page, and then Caran D'Ache'd the coat red, the pants blue, the hat and boots brown. I could never get the face light enough so I gesso'd over those sections and added skin colour. I guess the moral of the story is: save the ugly stuff, you'll never know when it'll be just what you're looking for.

I can hardly wait to see the rest of the cards in this deck. This is the first project I've been involved in where we've done the WHOLE deck ~ a rare treat, and a theme I really like, too.

More altered playing cards ...

Over the next little while I plan to post almost the entire deck I created for the series of altered playing cards I worked on last year through swapbot. I'd like to think I eventually got the hang of it, so some of the early ones will be, well let's say "less good", while the later ones will be brilliant. Of course, I jest. There may be some "less good" ones later on as well. I'll let you be the judge.

One of the quirky things about working on a series is that I sometimes get a kind of affection for the parts of the series completely out of proportion with the *actual* quality of the work. One of the set will have a lovely composition, but alas the colours are less than perfect. Another will exactly be the colour I wanted, but oh my, how badly assembled! C'est la vie. Now ... on to the twos!

The two of diamonds is very tactile. Not merely *striped* paper, but quite strongly corrugated and painted a nice deep red. The background paper is *bubble paper*, created (as I recall) at nearly midnight in a tiny hotel bathroom during an art conference with my friend L. We were up well past bedtime, blowing bubbles and giggling, and thinking that the hotel management would be at the door any moment to chuck us out for being too noisy.

The two of spades has nothing to do with fish, except that it gave me an opportunity to use one of my favourite lines of poetry: "And in the heaven of all their wish, there shall be no more land, say fish." It was finding this single line in another work of art that spurred me on to find the entire poem (pre-wikipedia, I might add!). The poem (Heaven by Rupert Brooke) has several other lines that while deliciously vivid are much harder to work into conversation. When (for instance) would be the right time for these lines: "But somewhere, beyond Space and Time, is wetter water, slimier slime"?. I'd like to think that you are (at this very moment) opening a second window on the internet, googling the whole poem and loving it as much as I do.

The two of hearts has two of my favourite things in it. Firstly, the rubber stamp with the pointing finger. I simply can't tell you how things that finger has pointed at in my art over the years. As you see here, I particularly love stamping it on text, to give it that extra je ne sais quoi. And secondly, the line: Always make two, so you can share. I have a terrible affection for everything I make. Really. I *hate* to give stuff away. Not that I'm stingy, but it feels like giving away one of my children. The solution I've developed over the years is to: Always Make Two. At least. Then I can keep one, and give the others away with a happy heart.

The two of clubs is fairly straighforward. It was obviously created during my red / black / white / ivory / tan colour phase. I finally seem to moving on from this limited palette, and other colours are gradually returning. The background paper was made while I was in mad spray-painting mode. During the summer I got *very* excited about spray paint, particularly after I found some great artist spray paint that comes in about 80 colours and dries so quickly that I could spray and stack the pages as I went. I only have 5 colours so far, but I'm looking forward to when the weather warms up so I can *go get more*.

More number sets coming soon!

Wrapping up a swapbot series ...

Over the course of 2010, there's been a Swapbot group devoted to making a deck of altered playing cards. The project had everyone in the group making 2 of each card and mailing them out to two other participants. I chose to make 3 of each card - mailing out two, and keeping my *own* set as well. I joined the project after it had begun, so I have a few gaps in my deck, but I thought I'd share a few here.

One of the requirements of the project is that the suit and value of the card should remain visible and/or be obvious. In recent cards I've been creating very lean graphic interpretations of the suit and number. I've also been playing with texture (not so obvious on your screen, I know).

The 4 of Diamonds has textured paper glued on the back after the *real* diamonds on the card were cut out. The paper on the front is also textured (oooh, fuzzy!). The 5 is black paint stamped on brown butcher paper with a file folder label. The 6 was created by cutting out six diamonds and playing around with interesting patterns. The 8 is a simple nod to the eight directions of the compass. These four make a nice set colour-wise as well - although that was completely unintentional. I've been stuck in a red / black / tan / ivory colour scheme lately. Can't explain it and don't know when I'll be out of it. Not yet, obviously.

Anywho ... may post more of my cards in the future - but thought you might like a peek at a few of my favourites so far.