Just back from another of my quarterly art retreats with a group of friends in a little red farmhouse on an island not so very far away.
We started doing these retreats in August 2009, and I love how we've grown together as a group. As a person who plans overmuch, it is a real joy (especially the last few times) to turn up with the rolly cart full of supplies and my head empty of plans ~ letting whatever ideas come to me in that time and in that place be the thing I do.
Along with our mountains of art supplies, and an equally healthy supply of food (or is that supply of healthy food?), we also bring our favourite books to provide inspiration, and this time I let Sabrina Ward Harrison's Messy Thrilling Life give me the visual courage to create a series of 16 collages about the complications of growing up in a dysfunctional family. What I create at these retreats is often a surprise, even to myself. Immediately after I get home I am struck by the fact that something *interesting* that didn't exist before has been created, either by me learning a new technique ~ there is plenty of sharing around the table as we all work on our various projects, or by exploring some heretofore unknown nook of my heart and brain in the process of creating.
Those of you familiar with Sabrina Ward Harrison's work will see at once that I am nowhere *near* as loose and spontaneous as she is (planning overmuch rears it's ugly head again!), but you'll just have to accept that this *is* a step in that direction for me. The 16 collages tell a little story, and I relied on a very limited supply of materials to work from ~ no access to computers or the internet ~ mostly a few magazines, some washi tape, gesso and caran d'ache crayons. I *tried* to write as loosely as she does and make it look good, but I don't think I even got close. But am I happy with my series? You betcha.
A bazillion thanks to the women who make this experience possible ~ for their organizing skills, for their openness and generosity and creativity and even the cooking. Even? Surely I mean *especially* the cooking ~ I may learn a thing or two in the kitchen if I'm not careful. As a person who has stood on the outside looking in for a lot of my younger life, to be inside the circle is amazing ~ it just took me awhile to find you.
Sunday, March 13, 2011
Tuesday, March 01, 2011
Wherever you go, my heart will follow ...
Yet another of the heart-themed projects I created recently. This one was a page in a collaborative book hosted by Jeneen Weekes of the Courtenay, BC Artist Trading Card Group.
In some ways, this little piece (4.5" x 7") is a bit of a departure from my previous work. For one thing (and my friends will spot this right away), it uses a ton of colour. I've recently discovered the joys of digital paper, whereby you purchase a digital image that you can reprint as many times as you wish. This piece uses several layers of digital papers, and since the image is digital, you can layer things on top of it before you print, which is what I did here. I stamped the girl (I love Teesha Moore's quirky zettiology stamps!), then I removed her hat and drew in a suitcase. Then I scanned the new image, and laid it on top of the digital paper, which is a page of vibrantly coloured strips and printed it out. Then I cut out the girl and coloured her coat and stockings with pencil crayons. Torn strips of the digital paper become both the ground she stands on and the wall behind the El Corazon wall poster.
Various other things were done to the piece (obviously!) including sanding, a light gesso wash over a stack of admission tickets along the right-hand edge and overstamping with a flourish behind her head. I created nine separate pages, and on each one of them, the colour from the digital paper fell in a slightly different place (I moved my image around on the page before printing to make sure that happened!).
In some ways, this little piece (4.5" x 7") is a bit of a departure from my previous work. For one thing (and my friends will spot this right away), it uses a ton of colour. I've recently discovered the joys of digital paper, whereby you purchase a digital image that you can reprint as many times as you wish. This piece uses several layers of digital papers, and since the image is digital, you can layer things on top of it before you print, which is what I did here. I stamped the girl (I love Teesha Moore's quirky zettiology stamps!), then I removed her hat and drew in a suitcase. Then I scanned the new image, and laid it on top of the digital paper, which is a page of vibrantly coloured strips and printed it out. Then I cut out the girl and coloured her coat and stockings with pencil crayons. Torn strips of the digital paper become both the ground she stands on and the wall behind the El Corazon wall poster.
Various other things were done to the piece (obviously!) including sanding, a light gesso wash over a stack of admission tickets along the right-hand edge and overstamping with a flourish behind her head. I created nine separate pages, and on each one of them, the colour from the digital paper fell in a slightly different place (I moved my image around on the page before printing to make sure that happened!).
Labels:
ATC,
courtenay,
digital paper,
el corazon,
Heart,
rubber stamp,
zettiology
Subscribe to:
Posts (Atom)