|Left: "Temptation". Right "Dragon Watch"|
In my opinion, you can always tell a good art material by how much it bends to the artist's vision. And in this case, I didn't so much have a vision as a hunch. Well, actually not so much a hunch as a willingness to see what popped up when I started playing. The base books are quite small and very very cheap. Like dollar store cheap. The sculpting material is apoxie clay ~ the jar A + jar B = hardens in air over the course of a couple of hours kind of clay. Not cheap, but definitely worth it.
"Dragon Watch" on the right measures 3.75" x 5.4" and was the first book I made. Wish I'd had the forethought to take pictures before I started, but I'm a *little* impatient when I get an idea. The original cover was matte black with big bright glossy flowers. You'd never know that now, of course.
After mixing A+B, I spread a thin layer completely over the front of the book, paying particular attention to those glossy flowers. I wasn't sure the apoxie would stick to them, but it held on marvelously. The focal point (no pun intended) is the eye. I dug through my random art supplies and found this beautiful clear sea green marble, and started layering bits of apoxie around it to form the eyelids and brow ridge. Almost immediately the marble seemed to turn black (no light shining through anymore - d'uh!). Ah well, live and learn, I figured. Once I had the eyeball in place, I began rolling small balls of apoxie clay and layering them around the eye in what seemed like a "natural" way. I resisted the urge to google lizards to see what I should be doing. I'm stubborn that way. As time passed, the apoxie was getting stiffer and stiffer, so it's a good thing my "hunch" wasn't too ambitious. The interesting thing for me was how lifelike it all turned out. Even before it was painted the eye just sort of looks at you. It's a little creepy, but in a good way, I guess.
The next day I (again!) didn't take a picture before painting. Just too impatient to get started. I decided to gesso the whole thing (front and back cover) to cover up the rest of the bright glossy flowers on the back, then I gave the whole thing an undercoat of purple. I know. Dragons aren't purple. But I wanted to get some layers in there and, following another hunch, purple seemed like the right colour. When that was dry I overpainted with Chromium Green, then rubbed off some of it to let some purple show through, and then lightly brushed the high areas with iridescent turquoise. The last step (which I have yet to do) is to find a nice bit of red ribbon to replace the current bookmark, so Dragon Watch will have a tongue! And the thing about the green-marble-now-turned-black is that in certain lights, you get a reflection from deep in the eye that makes you *really* feel like the book is looking back. Cool.
I had a bit of leftover apoxie mixed up (once you've mixed A+B together, there's no going back and apparently creating a dragon takes less clay than you think) so I decided to use it up on a second book.
The second book, "Temptation" (on the left) is a mere 3" x 4.25". I loved the little fabric circle on the front so much that I didn't want to cover it, and as I was rolling out the remaining apoxie into a "snake" of clay it occurred to me that I could indeed make a snake and have it curl around the circle. I'll confess right now that at this point I should have googled snakes to see what they look like (I'm pretty sure their heads look *nothing* like what I made), but the apoxie was getting stiffer by the minute and I just went for it. I had just the teeniest bit of leftover after I made the snake, so I thought I'd add one more little detail ... which turned out to be an apple. I wish I could say I'm clever enough to think of these things ahead of time ... oh yeah, I *totally* planned for a snake and an apple, but no ... I just wung it. (Wung it, as in past tense of "to wing it").
When the snake was down I was seriously impressed with how firmly the whole thing was stuck to the book. Even before it was dry I simply could not budge it. I made a diamond back pattern with my book-making awl (don't tell my book binding kit!), and then poked a series of holes that I thought I would glue beads into after painting, and a hole in the top of the apple for a stem of twisted wire, and a leaf of painted text paper sandwiched around some strong baling wire. The next morning I painted the snake with iridescent green and turquoise, and the apple in quinacridone red. Getting the beads in the holes was easy. Keeping them there was a whole other deal. You try sticking sticky beads in sticky holes with sticky fingers and get back to me. I eventually wound up using a pair of toothpicks as chopsticks, and then overpainted the whole thing with a layer of glue just to be safe. I was worried the glue would dull the iridescent paints, but it looks fine, and the beads are well and truly stuck. Phew!